Gay Outlaw: Ozone at Anglim Gilbert Gallery, San Francisco (reprinted from VisualArtSource.com, 9/29/17)



GAY OUTLAW: Ozone
Anglim Gilbert Gallery

 The Bay Area conceptual artist Gay Outlaw infuses her inquiries into epistemology—what makes something a work of art, or not—and the properties of varied materials, some unusual, like the caramelized sugar of a few years ago, with craftsmanship and wit. Her current show, entitled Ozone—a reference to the damage wrought by global-climate change?—comprises work in bronze, clay, wood, aluminum, encaustic, digital photography, cast glass, and pâte de verre, or glass paste, made from firing colored pigmented glass powders in a mold. While the works explore different ideas, and do not obviously come from the same artist, a spirit of experimentation and discovery pervades all. (By the way, everything is officially untitled, but the pieces are given humorous parenthetical designations.)

 The stars of the show were the eleven pâte de verre Meatloafsunset sculptures, life-sized renditions of those familiar ingots of mystery meat, arrayed on a tabletop, as if posed for a Wayne Thiebaud painting. Each is given a glazing or topping of an unusual color e.g., teal, cyan, yellow, pink, amber, etc., suggestive of sweets rather than savories. A pair of abstract folded-metal sculptures adorned with paint—Kitchen Sink and Bent Box—and a quartet of bronze or glass sculptures, idiosyncratically evoking vessels, modelmaking and hats, are dispersed throughout the gallery. Outlaw’s strangely funny, memorable mixed-media wall pieces pair color photos of street photography with blobs or ‘flows’ of colored glass paste, as if someone had flung colored mud onto the picture-frame glass, and the artist had found the desecrations to be  mprovements (as Francis Bacon sometimes flung oil paint onto canvases that he wanted to save or improve, gambling with destruction). The glass blobs, or lava flows, also recall the free-form poured urethane sculptures of Lynda Benglis. Outlaw’s titles are as droll as the idea of the works playfully tantalizing the viewer (or spy), but, like Hamlet, pointedly retaining their mystery: Untitled (Spring Green Flow with Artist Hair), Untitled (Orange Flow with Waders), and Untitled (Navy Flow with Wistful Poodle).— DeWitt Cheng

 

 

 

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